Art in the Rug

Archaeological excavations of the middle hole stones used to stretch the warp threads are very good evidence of history. The present invention shows that rugs and carpets were performed as an art in ancient times.

In general; The history of weaving and in particular the rug was based on very old years and people made efforts for it. In historical researches, it is observed that this system is still used in some primitive living tribes even today.

In the past or present, people sometimes use objects they need to produce, sometimes they sell and earn money. One of these products is rugs. Rugs have been produced to the present day and continue to be produced.

The social, economic and cultural mobility experienced in the face of the rapid developments and changes in today's technology has stimulated art education. The artistic perspective of Rug continues to be gained.

Developments in the analysis and analysis of different cultural products which are more common in weaving have also gained speed. In this context, visual literacy, which is one of the aims of art education is constantly on the agenda. All studies on the analysis and analysis of the art of rugs in the context of cultural values ​​continue to be presented to the interested parties. The conceptual evaluation of the symbol and symbol in rug weaving is another important step.

Human beings have entered into a rapid change and restructuring in the face of the communication technology which has evolved and progressed. Almost all areas of life, including the change of the art and performance of rugs have influenced.

In particular, it is known that the art education which aims to regulate the sensory and emotional life of humanity is in a new structure against this constantly developing formation.

Nowadays, when the incredible speed of communication with the development of technology is experienced, the material-spiritual values ​​of the weaving culture continue to be transferred to future generations.

In addition, the acquisition of critical skills to the bidders should not only give rise to the analysis of existing works but also to give them high values ​​for their innovations.

The perception and understanding of cultural values ​​in the development of artistic feelings, the existence of a conscious reaction to these works and the transfer of the aesthetic tradition that lies at the core of these cultural values ​​are important.